Rider current as of February 2, 2010

Posted by Yuka as AV

THE AUDIO AND LIGHTING SYSTEM SHALL BE A CLASS “A”
SYSTEM. THIS MEANS PRO AUDIO & LIGHTING CONTRACTORS
ONLY. ABSOLUTELY NO HOBBYISTS, MUSIC STORE SYSTEMS OR
SUPPORT ACT SYSTEMS WILL BE ACCEPTED.

3. FRONT OF HOUSE AUDIO SYSTEM
A. Front of house sound system shall be an active four way stereo system, capable of producing an unequalized frequency response of +/- 3db 50Hz - 18KHz, at an undistorted signal of 120 dB SPL at
the front of house console in any venue. For outdoor events, delay stacks should be made available.
B. The FOH (Line Array Only) enclosures will be EAW, ADAMSON, V-DOSC, McCAULEY MLA-6,
MEYER M3D, or JBL VERTEC. Any proprietary enclosures must be approved by Producer/Artist’s
Production Manager.
C. The FOH speaker enclosures must be properly positioned and capable of producing a flat response for
all sold seating areas. This includes front filled position (in front of stage) driven by a matrix or
auxiliary send.
D. The FOH speaker enclosures are to be powered adequately and accordingly to speaker and driver
requirements.
E. Power Amps are to be CROWN, LAB GRUPPEN, or QSC.
Ex: Crown IT-8000 to power subs.
Crown IT-6000 to power mids.
Crown IT-6000 to power mid-high and highs.
F. Cross Overs/Systems Processors accepted are LAKE CONTOUR, XTA, KT, or BSS. (Located at
FOH)

4. FRONT OF HOUSE CONSOLE & PROCESSING (Fly Dates Only)

A. FOH console is to consist of fifty six (56) channels.
Ex: Consoles accepted: A. T. I. PARAGON II, YAMAHA PM 5000 or 4000, MIDAS XL-4,
MIDAS HERITAGE 3000. NO EXCEPTIONS!
B. FOH processing equipment is to consist of:
1. Lake Contour EQ, KT-Helix, KT-3600, KT-DN360, TC Electronics EQ Station, TC
Electronics 1128, or BSS 1/3 Octave E.Q.’s.
2. One (1) EVENTIDE H/3000, One (1) LEXICON 480, One (1) LEXICON 200,
Two (2) YAMAHA SPX-2000, One (1) T.C. ELECTRONICS D-TWO or ROLAND
SDE-330
3. Twenty (20) channels of compression, KT, BSS, or DRAWMER.
4. Eight (8) channels of gates, KT, BSS, or DRAWMER.
5. One (1) KT-DN60 or A.C.I. SA-3051 Spectrum Analyzer.
6. One (1) Pro Compact Disc player.
7. Three (3) Clear-Comm stations with beacons and hand held sets. This is to be separate from
lighting communications.
5. MONITOR CONSOLE & PROCESSING (Fly Dates Only)
A. Monitor console is to consist of fifty six (56) channels.
Ex: Consoles accepted: YAMAHA PM-5D, YAMAHA PM 5000, MIDAS XL-4, MIDAS
HERITAGE 3000. NO EXCEPTIONS!
B. Monitor processing equipment is to consist of:
1. Sixteen (16) channels of E.Q. E.Q.’s accepted: T.C. Electronics EQ Station, T.C.
ELECTRONICS 1128’s (w/remote fader controller), KT-Helix, KT-3600, KT-DN360 or BSS
1/3 Octave E.Q.’s.
2. Fourteen (14) channels of compression, KT, BSS, or DRAWMER.
3. Eight (8) channels of gates, KT, BSS, or DRAWMER.
4. Seven (7) YAMAHA SPX-2000, REV 500, or PRO R3 Reverbs.
5. Five (5) Shure PSM-600 Hardwired IEM units.
6. Eight (8) Shure PSM-700 IEM systems with beltpacks and antenna combiner.
All necessary cabling for IEM systems and spare beltpacks.
Rider current as of February 2, 2010 Page 13

6. MICROPHONE & MIC-STAND PACKAGE (Fly Dates Only)
A. Twelve (12) Radial J-48 direct boxes
B. Four (4) Shure SM-58
C. Four (4) Shure KSM-32
D. Three (3) Shure KSM-27
E. Five (5) Shure SM 57
F. Four (4) Shure SM 98 w/ mic mounting hardware
G. One (1) Shure Beta 52
H. One (1) Shure SM 91
I. Four (4) Shure KSM-137
J. Twenty Four (24) round base mic stands with booms. Twelve (12) tall and Twelve (12) short.
K. Six (6) Z Bars
ANY AND ALL SUPPORT ACTS MUST USE SEPARATE CONSOLES AND PROCESSING
EQUIPMENT OTHER THAN WHAT IS PROVIDED FOR xxxx xxxxxx (NO EXCEPTIONS)
7. LIGHTING REQUIREMENTS
A. 124K par 64 on pre rig front and rear truss. Narrow spot and medium flood combination. (narrow spot
upstage and medium flood, very narrow, and narrow spot downstage)
B. One mid stage truss. Twelve (12”) inch truss by forty (40’) feet long.
C. Twelve (12) intelligent fixtures VL-3500 or Mac 2000. (Fly Dates Only)
D. Two (2) Mole array fixtures. Two (2) hanging from downstage truss.
E. Five (5) ACL bars. Five (5) hanging from upstage truss.
F. Four (4) Xenon or Carbon Arc spotlights powerful enough to cover two hundred (200’) to three
hundred (300’) feet.

G. Lighting consoles accepted are to be sixty (60) control channel consoles with two (2) scene presets
with submasters. Ex: C.A.E. (LP-2000 or LP-3000), Whole Hog 1000, Whole Hog II or III, or ETC
consoles.

H. Dimmers are to consist of ninety six (96) channels of dimming capability. Dimmers accepted are:
C.A.E., AvoLites, ETC, or NSI. ( All dimmers are to be DMX protocol )
I. Black back drop to hang from upstage truss.

J. Clear-Comm communications with double muff head sets for lighting console, all spot operators,
dimmer world and venue house light position. This is to be separate from audio communications.
K. Haze Machine A haze machine shall be provided. Acceptable types must equally compare to a DF-50
or better. No F-100 or other timed type smoke machines or powder methods are acceptable.
L. One (1) forty (40’) 12” box truss flown and dedicated for intelligent lighting only.
8. VIDEO REQUIREMENTS
Producer/Artist provides his own video equipment (with operators) consisting of an on-stage LED video
wall plus two side-screens